Only a year and a half after the release of her sophomore album "Fall to Grace," Paloma Faith has come back swinging with funky new single "Can't Rely On You," serves as the lead single off the English soul siren's upcoming third studio album "A Perfect Contradiction," due out on March 3. As is always the case with the 'New York' maestra, she puts the music at the forefront of cause with the release of "Can't Rely on You," which is intriguing both musically and visually. The accompanying video is as visually sumptuous as we've come to expect from Faith.
Produced and co-written with former N.E.R.D.-boy Pharrell Williams, "Can't Rely On You" is funky pop jam and swings with a funky fresh groove that throws back to the '70s and filled with references to classic soul that effortlessly mixes Williams's trademark beats with Faith's always soulful distinctive vocals. It's a striking departure from the big, sweeping ballads of her last album, but a welcomed one as well. The song serves major throwback vibes, yet sounds undeniably fresh - A bold comeback! Top that with Faith's soul-shouter vocals and you've got a winner.
The 32-year-old Londoner laments feeling jealous of her lover in the funk-soul track "Can't Rely On You." The beat is so similar melody to Robin Thicke's ubiquitous "Blurred Lines." Williams clearly tried to disguise it all that he could, but in the end, it was inevitable for the "Blurred Lines" sound to surface. The intro in particular makes you think you've played Thicke's song by mistake. The accompanying "Blurred Lines"-esque video video, directed by Paul Gore, is a dazzlingly weird and left-of-center period piece that executes its high concept with impeccable attention to detail, contrasting the retro flavor of the song with lushly anachronistic visuals.
The clip begins with a French female voiceover about moving on from the end of a relationship, and the fiery red-headed, lingerie-clad Faith in bed with a lover. From there, Gore takes us on a bizarro-world ride filled with images of milk baths, a topless Faith wearing a white mask, women in religious-looking gowns, a stunned mustachioed gent, a black horse, and a chauffeured-driven vintage Mercedes that becomes driverless when he bails, leaving Faith in the backseat to fend for herself. It ends with the French narrator returning to inform us that "This is just a beginning." You've been warned.
Produced and co-written with former N.E.R.D.-boy Pharrell Williams, "Can't Rely On You" is funky pop jam and swings with a funky fresh groove that throws back to the '70s and filled with references to classic soul that effortlessly mixes Williams's trademark beats with Faith's always soulful distinctive vocals. It's a striking departure from the big, sweeping ballads of her last album, but a welcomed one as well. The song serves major throwback vibes, yet sounds undeniably fresh - A bold comeback! Top that with Faith's soul-shouter vocals and you've got a winner.
The 32-year-old Londoner laments feeling jealous of her lover in the funk-soul track "Can't Rely On You." The beat is so similar melody to Robin Thicke's ubiquitous "Blurred Lines." Williams clearly tried to disguise it all that he could, but in the end, it was inevitable for the "Blurred Lines" sound to surface. The intro in particular makes you think you've played Thicke's song by mistake. The accompanying "Blurred Lines"-esque video video, directed by Paul Gore, is a dazzlingly weird and left-of-center period piece that executes its high concept with impeccable attention to detail, contrasting the retro flavor of the song with lushly anachronistic visuals.
The clip begins with a French female voiceover about moving on from the end of a relationship, and the fiery red-headed, lingerie-clad Faith in bed with a lover. From there, Gore takes us on a bizarro-world ride filled with images of milk baths, a topless Faith wearing a white mask, women in religious-looking gowns, a stunned mustachioed gent, a black horse, and a chauffeured-driven vintage Mercedes that becomes driverless when he bails, leaving Faith in the backseat to fend for herself. It ends with the French narrator returning to inform us that "This is just a beginning." You've been warned.
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