Diddy-Dirty Money & Usher're 'Looking for Love'

"Last Train To Paris" is still making stops. Despite what you may think, Diddy Dirty Money's "Last Train To Paris" is still choo-chooing out singles along with visuals to accompany them. This time, Diddy has now revealed that he's still desperately milking what he can from his latest studio installment "Last Train to Paris" which has been in stores since last December, by dropping a music video for the seventh track "Looking for Love" featuring two superstars, as Diddy re-teamed with his former protege and R&B/Pop crooner Usher for the new video.
Diddy Dirty Money & Usher know that while they may be seeking to simply produce a 'movie' in the club for their latest video that females are "Looking for Love" and that they are the primary targets. Indifferent to the attempts, Diddy acknowledges that one of the females pursuing to indulge in his lifestyle, and Usher is aware of the devious intentions so he watches because knows the female interested in him even wants the lovely cutie that is accompanying him. Neither Diddy nor Usher seem worried about the fact that they are spending their "Dirty Money" on women that claim to be "Looking for Love" but are really hoping to be attached to their celebrity, fame and wealth.
Diddy and Usher know something about finding love in awkward places and in the clip for "Looking For Love," Sean Combs adds 'Rick Ross Impersonator' to his laundry list of ventures while Collin Tilley does his own visual magic. For the most part, it's a standard affair but with Tilley on the verge as one of hip-hop's now most sought after director's, it seems bigger than it should. Whatever it true intentions are, its clear from the video that neither Usher nor Diddy are lacking in the confidence department. Although it is inconvenient that the artists keep looking in the wrong places, the Colin Tilley-directed visual is worth checking out.
The clip finds the both superstars hit an underground club, charming the ladies by inviting them back to their table. All in the name of love. Club scenes are dispersed in between scenes of Usher and Diddy performing atop a rooftoop overlooking the city's darkest, most Gotham-esque corners while extolling both the virtues of and warning against an irresistible woman who may be after love. Dirty Money's Dawn and Kalenna aren't singing on the track, but are as glorified extras seducing the camera with their suggestive moves in the dark visual.